Contemporaries at the Royal College of Music, Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were important figures in twentieth-century British music. Combining musical analysis with contextual material drawn from documents and interviews, Rhiannon Math..
Contemporaries at the Royal College of Music, Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were important figures in twentieth-century British music. Combining musical analysis with contextual material drawn from documents and interviews, Rhiannon Math..
Composer Mabel Daniels wrote fresh-sounding works performed by renowned orchestras and ensembles during her lifetime, but her works have only recently begun to be performed today. Assessing the rich context of American art music of the first half of the twentieth century, this book accounts for why ..
Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. Three comp..
The two volumes of Messiaen Perspectives convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. It presents many new primary..
The two volumes of Messiaen Perspectives convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. It presents many new primary..
Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. The first part scrutinizes his compositional technique, while the second charts ways in which Messiaen’s influence is manifest in the music and careers of Ohana..
Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. The first part scrutinizes his compositional technique, while the second charts ways in which Messiaen’s influence is manifest in the music and careers of Ohana..
For Olivier Messiaen, music was a way of expressing his faith. He considered it his good fortune to have been born a Catholic and declared that 'the illumination of the theological truths of the Catholic faith is the first aspect of my work, the noblest and no doubt the most useful'. Messiaen is one..
For Olivier Messiaen, music was a way of expressing his faith. He considered it his good fortune to have been born a Catholic and declared that 'the illumination of the theological truths of the Catholic faith is the first aspect of my work, the noblest and no doubt the most useful'. Messiaen is one..
When Olivier Messiaen (1908-1992) completed the vast opera Saint Francois d'Assise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. Seven further works emerged, however, and these form the focus of the present study..
When Olivier Messiaen (1908-1992) completed the vast opera Saint Francois d'Assise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. Seven further works emerged, however, and these form the focus of the present study..