Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with..
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with..
Looking afresh at representations of nineteenth-century ’oriental’ bodies, the contributors to this volume trace the global dissemination of racial and gendered bodies at historical moments across the globe in the media of photography, painting, prints and sculpture by contextualizing the visual wit..
Painted Men in Britain, 1868-1918 analyzes transgressions of gender and sexuality as represented in paintings by Leighton, Sargent, Tuke and their contemporaries in the Royal Academy. The book argues against the misconception of British academic art as merely reactionary and even blind to the dynami..
Painted Men in Britain, 1868-1918 analyzes transgressions of gender and sexuality as represented in paintings by Leighton, Sargent, Tuke and their contemporaries in the Royal Academy. The book argues against the misconception of British academic art as merely reactionary and even blind to the dynami..
This book sets out to discuss Scottish rural painting in relation to its Scottish historical context and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many under researched paintings by nineteenth-century Scottish..
This book sets out to discuss Scottish rural painting in relation to its Scottish historical context and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many under researched paintings by nineteenth-century Scottish..
Painting the Bible is the first book to investigate the transformations that religious painting underwent in mid-Victorian England. It charts the emergence of a Protestant realist painting in a period of increasing doubt, scientific discovery and biblical criticism. The book analyzes the position of..
Painting the Bible is the first book to investigate the transformations that religious painting underwent in mid-Victorian England. It charts the emergence of a Protestant realist painting in a period of increasing doubt, scientific discovery and biblical criticism. The book analyzes the position of..
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Na..
Examining the wide-ranging and abiding implications of Ruskin's engagement with his contemporaries and followers into the present, this collection is organized around three related themes. This book studies the dissemination of Ruskin's intellectual legacy to working men and women, especially throug..
The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectives on Degas unites a team of international scholars to analyze Degas's work, artistic practice, and unique methods of pictorial problem-solving...