Musical Theory in the Renaissance

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The World of William Byrd

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In The World of William Byrd John Harley builds on his previous work, William Byrd: Gentleman of the Chapel Royal (Ashgate, 1997), in order to place t..

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Music in Ancient Judaism and Early Christianity

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John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediter..

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The Carole: A Study of a Medieval Dance

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Metrical Psalmody in Print and Practice

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During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people o..

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Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries

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Peter Philips (1561-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious ..

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Eroticism in Early Modern Music

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This collection contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Contribut..

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William Byrd

This is the first comprehensive study of William Byrd’s life (1540-1623) and works to appear for sixty years, and fully takes into consideration recen..

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A New Way of Making Fowre Parts in Counterpoint by Thomas Campion

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Regarded as one of the most important English music treatises in the seventeenth century, Thomas Campion's A New Way of Making Fowre Parts in Counterp..

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Luca Marenzio

Regarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music...

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Music and the Renaissance

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This volume unites a collection of articles which illustrate the complexity of European cultural history in the Renaissance. New ways of thinking abou..

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Sources and the Circulation of Renaissance Music

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This volume explores the means and motives for the distribution of music during the Renaissance. The selected essays discuss both the technical side o..

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Institutions and Patronage in Renaissance Music

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The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other..

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