Feminism at the Movies offers an overview of central issues in feminist film criticism by analyzing over twenty popular films produced in the first decade of the twenty-first century. The volume focuses primarily on issues of femininity, but also includes a section on portrayals of masculinity in th..
Feminism at the Movies offers an overview of central issues in feminist film criticism by analyzing over twenty popular films produced in the first decade of the twenty-first century. The volume focuses primarily on issues of femininity, but also includes a section on portrayals of masculinity in th..
In a series of essays scrutinizing feminist and post-structuralists positions, Tania Modleski examines "the myth of postfeminism" and its operation in popular culture, especially popular film and cultural studies. (First published in 1991.)..
This volume addresses the growing obsolescence of traditional constructions of masculine identity in popular cinema by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in contemporary genre movies.In so doing, the project build..
This volume addresses the growing obsolescence of traditional constructions of masculine identity in popular cinema by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in contemporary genre movies.In so doing, the project build..
Neo-Feminist Cinema examines how Hollywood has responded to women’s changing social roles. Radner pays particular attention to how the contemporary woman’s film portrays what some have called postfeminism and what the author redefines as neo-feminism, represented by figures such as Helen Gurley Brow..
Neo-Feminist Cinema examines how Hollywood has responded to women’s changing social roles. Radner pays particular attention to how the contemporary woman’s film portrays what some have called postfeminism and what the author redefines as neo-feminism, represented by figures such as Helen Gurley Brow..
Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation. Through her analyses of the musical construction of contemporary screen masculinity in action and other genres that share its inves..
Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay an..
This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital means for reading the connections between mainstream cinema and representations of female agency. _x005F_x000..
With the chick flick arguably in decline, film scholars may well ask: what has become of the woman’s film? Little attention has been paid to the proliferation of films, often from the independent sector, that do not sit comfortably in either the category of popular culture or that of high art––films..