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Schubert
This collection offers an overview of Schubertian reception, interpretation and analysis. The previously published journal articles represent the best of scholarship in this field and survey the issue of Schubert’s alterity, his interpretative strategies and hermeneutic positions, his handling of harmony and tonality, and the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.
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