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Gender, Space, and the Gaze in Post-Haussmann Visual Culture
Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire’s "The Painter of Modern Life" (1863), that have shaped scholarship on this period.
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