African Identities provides a critical forum for the examination of African and diasporic expressions, representations and identities. The aim of this journal is to open up various horizons in the field: to encourage the development of theory and practice in a wider spread of disciplinary approaches; to promote conceptual innovation and to provide a venue for the entry of new perspectives. The journal focuses on the myriad of ways in which cultural production creates zones of profound expressive possibilities by continually generating texts and contexts of reflexive import.
With an emphasis on gender, class, nation, marginalisation, "otherness" and difference, the journal explores how African identities, either by force of expediency or contingency, create layered terrains of (ex)change, decentre dominant meanings, paradigms and certainties. Important questions about the meanings of Africanness, "post-coloniality" and syncreticisms, for example, provide conceptual frameworks within which to situate the critical analysis of African cultural production and the axis of engagement with popular culture.
All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.
